Not a word on stage
She needs no lines. Small shifts of posture and gaze are enough for her to layer complex emotions, which makes her ideal for wordless panels in a comic.

A black bob with blunt bangs, grey eyes and the faintest smile. She leans forward with both white-gloved hands pressed flat against an invisible wall, the classic mime move, and the pose is crisp and precisely controlled.
A fitted jumpsuit split vertically into black and white from collar to ankle, with two black tassels hanging from a black stand collar. A short bright-red cape sits over her shoulders, and she wears white gloves and black loafers. The black, white and red contrast makes her stand out against any background.
The stage is carved into big blocks of black and white: a white frame of light cuts diagonally across the picture, her shadow falls on the wall, sharp geometric shadows cross the floor, and red ribbons and petals drift through the air. There are no props and no audience, only her and the light.
She needs no lines. Small shifts of posture and gaze are enough for her to layer complex emotions, which makes her ideal for wordless panels in a comic.
Away from the stage she is strikingly blunt and never hides what she feels. Restrained on stage, completely direct off it: that contrast is what people remember about her.
Some things in real life cannot be performed away, and she has to learn to speak up. The official profile leaves this open as her growth arc.
One works with sound, the other with the body. Put them in the same production and they grumble about each other while covering each other's gaps, a solid base for light comedy.
After every show they come backstage asking what that last scene meant, and every time her answer is so blunt it leaves them speechless.
A possible opening: she performs the invisible-wall routine on the street, and a child reaches out, touches the wall and says someone is standing behind it.
To sell tickets, the company asks her to speak in the next show, and she has to decide between holding on and giving in.
Tell a whole quarrel and reconciliation between her and a friend through gesture and expression alone, which plays directly to the strength of silent theatre.
Very much so. Expressing things without speaking is literally her job, so a four-panel strip or a single image can carry a whole emotion through movement and expression.
The black-and-white split jumpsuit, the short red cape and the white gloves work as a set, and the black bob with blunt bangs is a strong marker too.
Yes. Keep either a red accent or the white gloves in her everyday outfit, add her very direct expressions, and readers will know it is her.