He puts subjects at ease
He knows the tension in front of a lens, and his patience and warmth let people show their most natural selves.

Short black hair with messy bangs, dark eyes looking out from behind the camera and a quiet smile at the corner of his mouth. He crouches on one knee, focused yet casual.
An open black shirt over a white ribbed tank, black trousers and leather shoes, sleeves rolled to the forearm, a steel wristwatch and a red-and-black camera strap around his neck.
A photo studio at night. Behind him are a huge softbox and a silver reflector, at his feet a camera bag and a spare lens, and on the table black-and-white prints and a mug of coffee. A laptop shows a portrait, and the tall windows look out on a deep blue city night.
He knows the tension in front of a lens, and his patience and warmth let people show their most natural selves.
He studies composition and light, and above all the person's gaze, presence and story.
In a glossy, anxious fashion industry he insists on using the lens to record what is good in people.
He does not ask for poses, only for a story, which suits growth and healing themes.
Their styles clash, and they end up with a set of unexpected photographs.
After a whole day of dissatisfaction he puts the camera down and presses the shutter at the moment the subject turns back unawares.
The brand finds them too natural, and he must decide whether to reshoot.
A photographer who has never been photographed, until someone raises a camera at him.
Yes. A man who observes closely easily forms a bond with a model or client.
The messy black bangs, the black shirt over a white tank, the steel wristwatch and the camera in his hands.
Yes. Details he sees can become clues, such as an extra person in the background of a photo.